Emcee cabaret costume1/9/2024 Possessing a wide vocal range, Silber interprets Sally’s iconic songs – “Don’t Tell Mama,” “Mein Herr,” “Maybe This Time,” and the title song – with style and power. She lets us see the open-eyed innocence hidden beneath Sally’s in-your-face attitude and ultra-sensual demeanor. Alexandra Silber slips into the role of Sally as easily as she slips on Sally’s lacy lingerie and green fingernail polish. “The toast of Mayfair,” Sally Bowles is a firebrand a self-centered, devil-may-care wild woman who embraces the laissez faire atmosphere of Berlin and bewitches nearly all who come into contact with her. Alexandra Silber as Sally Bowles in Cabaret at Olney Theatre Center. Clifford’s sexual proclivities are apparent from the beginning (something only hinted at in 1966), making his tempestuous relationship with the fetching and free-spirited nightclub singer Sally Bowles even more complex. Gregory Maheu gives us a Clifford Bradshaw straddling the line between all-American charmer and troubled hedonist as he tries to maneuver his way through the increasingly perilous times. These separate worlds are intertwined by Paul’s clever staging, placing the outside world in the middle of the Kit-Kat Club, with just a few hints of furniture to change the landscape. There is the adventure of American writer Clifford Bradshaw, in Berlin to work on a novel which could hardly match with the drama he finds when securing a room or wandering into the Kit-Kat Club, Berlin’s classy (in this production) nightspot, hosted by an androgynous Emcee.Ĭabaret closes October 13, 2019. (Photo: Stan Barouh)Īs you’ll recall from the stage or film versions, Cabaret is the story of parallel worlds occupying the same space in the pre-war Berlin of the early 1930s. Mason Alexander Park (center) as the Emcee and the Kit Kat Girls in Cabaret at Olney Theatre Center. And he has cast it impeccably from top to bottom with actors who execute the gem-filled score as if the composers wrote it for them alone. Cabaret, the ground-breaking Kander and Ebb musical about sex and show-biz played against a backdrop of the Nazis’ rise to power in Berlin, gets a compelling production at Olney Theatre Center.ĭirector Alan Paul’s shiny new show uses the revised book and tune-stack from the well-regarded Studio 54/Roundabout Theatre revival that opened in 1998 and stamps it with his own style.
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